My solution seemed overly gooey, the bubbles didn't last, and I became so enamored of giant arrays of bubble tubes that I made hardly any smaller, free-floating conglomerate bubbles with the new arrays. (BTW I have Sterling Johnson to thank for that design--he saw the previous video with the four-loop wand and suggested I add more loops below, so of course I made a monstrosity that is very hard to lift when wet, but so stunning to see in action.)
It seemed only right to acknowledge the location's significance, so I added a note at the end of the movie to say that I mean no disrespect by bubbling at a memorial site; in fact, I hope it can be taken as my own best sort of tribute.
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It is very exciting to me to feel like I'm edging toward a reasonable video facsimile of the joy of in-person bubbles. It's quite a puzzle, but I feel like I'm uncovering a surprisingly apt formula:
*Still backgrounds to emphasize the dynamism of the bubbles
*Actual distant city soundscapes to emphasize the quietness that, I now realize, is an important part of my love of bubbling
*Multiple angles to hint at the startling variety of sights to be enjoyed in a single bubble passing through a lovely space, morphing, refracting, reflecting and transmitting colors and images...
There's a lot more thought about imagery and repetition and such, but I'll let folks notice that as they watch... :)
I hope people will share the videos with friends and family, so the people who, like me, see this stuff and are absolutely captivated, all get to see it. I'm also imagining musicians being inspired to write some bubble music with which we can collaborate on a future short, or maybe a best-of meta-short, when the project is done or moving on from San Francisco.
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